Digital Media Specialists
We do data. video. DIT. workflow. streaming. camera. wireless. HDR. rentals. Teradek. RED. Arri. 4K. QTake. colour. playback. transcodes. dailies. 4G.
We're a digital media specialist company - meaning we consult on anything from working with the latest digital cameras through to devising the best post production pipeline for you. We have a wide range of gear to assist with your productions, and our crew know all of it inside and out.
We're based in Auckland, New Zealand, but have supplied equipment and crew to jobs across the country as well as overseas.
So if you're looking for a DIT, video split operator, data wrangler, or just want to talk through your different workflow options, give us a call.
Stuff we've worked on
We carry a wide selection of monitors ranging from large video village monitors to compact handheld directors monitors. We also have specialist options including built-in recording, daylight-viewable, HDR, and OLED monitors.
All our monitors can be battery powered and we have custom-built trolleys for easily moving them around set.
From 90m to 3km, zero delay to web-based streaming, there's no doubt we have a wireless kit to suit your situation.
We carry the complete range of Teradek Bolt zero-delay wireless systems and the new Teradek Link and Serv range of H.264 wifi-based systems for iPad streaming on set.
We carry various playback solutions for either basic standalone use on a set without a video operator, or fully-featured solutions for use by our experienced video operators. If in doubt contact us to discuss what solution would be best for your production.
QTake is our heavy-duty solution when comprehensive cataloging, live compositing or editing, or general flexibility is needed.
Pix240 is our go-to unit when portability or durability is key. Rock solid reliable units that are also easy to operate.
The industry standard in high end video playback QTake software is in use world wide on pretty much every major Feature and TV Show.
QTake allows comprehensive cataloging and playback of each take and synchronous playback between multiple cameras. No matter if a shot was filmed on the first day it will be possible to recall it instantly on the last day of a multi month productions.
Other features include live compositing, editing and live colour grading.
We have designed our QTake kits to be shippable inside an SKB case and completely battery powered if required.
The Video Devices PIX240 is the the workhorse of the PIX family. Capable of format conversion and recording HD-SDI or HDMI signals the PIX240 is our go-to clamshell recorder where portability is key.
The large playback controls and jog wheel help navigating between clips and the large storage capacity can store whole blocks of Drama shoots if needed.
The PIX240 can be mounted on any of our trolleys under a monitor or can be easily rigged in odd spaces that other playback devices cannot.
Our custom-built data management kits range from the ultra-portable Sparrow up to the heavy-duty Condor. We can supply some kits on a dry-hire basis, while others require a Halcyon data wrangler or DIT to operate.
We can handle offloading and transcoding nearly every type of media, and keep a copy of your files securely on our in-house storage system for 30 days after the shoot date.
If you're looking for some faster or more portable media to use when data wrangling, or even large-capacity RAID systems for speedy 4k editing, we've got you covered! Discounted rates are available for longer rentals.
LTO Tapes are the preferred method of long term archival with a life expectancy of 30 years far outstripping normal hard drives which are prone to failure after only a few years.
With the advent of LTFS it's never been more affordable to archive your projects during or after production to tape and we have the hardware and software to do so.
RED Helium 8k
When it comes to RED we are among some of the most experienced camera technicians and suppliers in the country. Our RED Helium 8K camera is one of the only available in New Zealand and is fully kitted with an Arri accessory package, as well as multiple lens mount and module options.
We can also provide support on RED shoots both during pre-production and production, offering detailed camera setup and training, camera troubleshooting, and assistance with data management and workflow. We carry various RED-specific tools and accessories, including the RED Rocket-X accelerator card.
The RED Helium 8K camera utilises a Super35 sensor with around 16.5 stops of dynamic range, and holds the highest-ranked score for a camera sensor as tested by DXOmark. It can shoot up to 60 fps in full 8K, or 120 fps when dropped to 4K (and 240 fps at 2K).
We also have the philmColor creative LUT library designed specifically for RED DSMC2, so you can try out a variety of looks and treatments on your production.
Our standard rental kit is listed below. Additional media, modules, and accessories are available.
- PL or Canon EF mount
- 4.7" touch display
- DSMC2 OLED EVF
- 4 x 512GB REDmag minis
- USB-C 3.1 card reader
- carbon-fibre 'Weapon' body
- Arri 19mm/15mm accessory kit
- VLock plate with D-Box power distribution
We carry a range of RED DSMC2 modules for expanding and altering the camera's capabilities.
JETPACK-SDI replaces the standard battery back and offers DC power in, HD-SDI & aux power out, and sync and control ports. It also offers a Gig-E port for tethered recording and remote camera control. This module is perfect when using the camera in a helicopter gimbal pod such as the Shotover system, or when rigging a handheld gimbal and want to keep the weight down.
JETPACK-HDMI also replaces the standard battery back and offers DC power in, a locking HDMI video connector, plus USB power out & sync and control ports. This module is well-suited for drone setups where the wireless video downlink often only accepts HDMI signals.
The RED Rocket-X accelerator card speeds up the decoding and processing of RED footage. Although originally developed and advertised as being capable of accelerating up to 6K footage, our tests have shown it also accelerates the processing of 8K footage by up to 2x the speed of standard GPU processing.
Our Rocket-X lives inside an external Thunderbolt 3 enclosure, so it can easily be moved from machine to machine, and a simple adapter makes it compatible with older Thunderbolt 2 machines as well.
Our on-set camera carts are some of the best in the business. Custom-built by Inovativ in the USA, and engineered with all sorts of helpful features: hydraulic disc brakes, fully collapsible, height adjustable and various modular add-ons. We currently have 2 cart variants:
Echo 36 is our medium-sized cart and can be configured either as a colour or data workstation, or a fully-rigged camera trolley.
Scout 31 EVO is our lightweight cart and can be fully collapsed down to a slim travel case for flying or transport in smaller vehicles.
Our on site Colour Suite is available for dry hire or with a DIT or Colourist
Utilise it on your next production in pre production for LUT creation, during production for near set dailies, or in post production for your final grade. Our suite and experienced operators can help you out at any stage.
- Mac Pro with dual screens
- Licenses of Davinci Resolve, Adobe Creative Cloud and AVID
- Tangent Element Panels
- 25" Sony OLED
- 65" Samsung Q9 TV
Our custom-fitted van can be configured as a camera vehicle, DIT/colour station, or used to transport VTR equipment without needing to pack everything down.
High-top ceiling clearance and 4WD means we can roll into any location and be unloaded fast, as well has having a mobile workstation to base out of. Comes standard with a Honda 2k generator.